Library
Meets Museum
  • 简 (简)
  • 繁 (繁)
  • EN
  • Library

    • Roaming Hong Kong

    • Animal Garden

    • Flourishing Blossom

  • Museum

    • Tea Culture

    • World Travel

    • Design in Hong Kong

  • About us

© 2021
Leisure and Cultural Services Department

When Library Meets Museum

Let your reading interest lead you to an artwork; or let your artistic taste lead you to a good book.

Visit Museum
find your muse
and get collections recommendations

Enter libary
discover books
and get book recommendations

STEP1

Select a book or an artwork

STEP2

Add a bit of "you" into the formula

STEP3

Enjoy our recommendations

i

Enter Website

Only Chinese version is available

Pouch-shaped glass vase with chi-dragon and floral scroll design in painted enamels

  • Mark

    Four-character mark of Qianlong

  • Year

    Qianlong period (1736 – 1795), Qing dynasty

  • Media

    Glass

  • Dimensions

    H 18.5 cm

  • Museum No.

    C1995.0002

  • Description

    This glass vase resembles a yellow pouch. A silk band in relief ties around the neck. The white glass body is adorned with eye-catching, painted enamel designs that imitate the texture of silk and cloth. The ground, which also imitates brocade, is painted with fine patterns composed of peonies, hibiscuses, peach blossoms, and pomegranate flowers. On top of these are twelve painted chi-dragons that wind around and through the branches and flowers, forming a well-coordinated and close-knit composition. Lively and graceful in form, the dragons also harmonise with the floral patterns on the ground.

    Enamel-painting on glass is a very technically demanding craft, began under the Kangxi Emperor’s reign (1662-1722). In 1696, Kangxi decreed that a glass factory be established. This factory expanded continuously during the high Qing and created large quantities of glass products and gifts for the court. Glassware produced during the reigns of Yongzheng (1723-1735) and Qianlong reached a peak, whether in the variety of vessel types, colouring, composition, or ornamentation. This glass vase reflects the intricate and sumptuous ornamental style of the Qianlong reign. The decorative patterns are ornate and dense, demonstrating the excellent craftsmanship. The back features a flower bud bearing the reign mark of the Qianlong period. A product of a thoughtful designer, this vase can be said to be a masterpiece among Qianlong glassware.

  • —Collection of Hong Kong Museum of Art
  • More information
    Hong Kong Museum of Art Google Arts & Culture
Click to enlarge image
Loading
© 2021
Leisure and Cultural Services Department
Reading is joyful Visit HK Museums
Reading is joyful Visit HK Museums