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When Library Meets Museum

Let your reading interest lead you to an artwork; or let your artistic taste lead you to a good book.

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Flower and fruit

  • Artist

    Yun Shouping

  • Year

    Not dated

  • Media

    Album of two leaves (leaf no. 1), ink or ink and colour on silk

  • Dimensions

    Each ca. 31.5 x 25.5 cm

  • Museum No.

    XB1992.0147

  • Artist Bio

    Though born to a prominent family in Jiangsu province, Yun Shouping, original name Ge, also called Nantian, abstained from entering the civil service in his early years and instead devoted himself to painting, travelling extensively and becoming acquainted with the artists Wang Hui and Zha Shibiao. He switched to bird-and-flower paintings in his middle age, when he adopted Xu Xi’s mogu (boneless) method. Emphasising painting from life in order to capture the inner spirit of the subject, he was regarded as the most eminent flower-and-bird painter and one of the Six Masters of the Qing dynasty.

  • Description

    Yun frequently sought stimulation from the past, as can be seen in this album leaf: according to the inscription, the ink peony was inspired by the lofty style of the Yuan masters, a tradition that was continued by the Ming artists Shen Zhou and Chen Chun. Yun employed the “boneless” technique without form-defining outlines, a method that originated with the eleventh century master Xu Xi. The leaves and stem are dabbed with diluted ink wash, while the flower, depicted in sketchy strokes, expresses the upright mood of the peony, a unique trait of the artist. By imbuing fresh life and beauty into the genre of flower painting, Yun’s art represented a new mode in the more spontaneous style that attracted a popular following throughout the Qing dynasty.

  • —Xubaizhai Collection, Hong Kong Museum of Art
  • More information
    Hong Kong Museum of Art
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© 2021
Leisure and Cultural Services Department
Reading is joyful Visit HK Museums
Reading is joyful Visit HK Museums